Comments on the industry cannot be missed – be it a Sooraj Barjatya searching for cliché dialogues, or the subtle reference to some star sons being superstars by virture of being star sons (read- Abhishek Bachchan), or the dominance of Khans and Kapoors in the industry.
#KARZ MOVIE ENDING MOVIE#
The movie is a mish-mash of Karz, Madhumati, with plenty of spoofs (like The Great Indian Laughter Challenge), quite a few gaping voids (people leaving the hot shot producers to lie on the floor just when a mishap has happened), some great editing (I loved the shots where DP is dancing with Sunil Dutt (not Sanjay Dutt) and old-time Rajesh Khanna and Jeetendra, average to good music and a lot of masala. It’s a role that let him be – an over-actor, with an ease that can only come when you’re not acting! Most importantly, SRK is, as usual, LOUD, hamming, but quite unusually, fitting. Shreyas Talpade, as usual, is subtle and good. However, she does what I did not expect a lot of – manage her way in the acting department. She does what she can do really well – she looks gorgeous. You smile almost throughout the movie, but at the end of the movie, you have this weird expression in your mind which is that of your squint eyes staring at you and saying, “Well….”.ĭeepika Padukone impresses in her debut. Something even Inductis could not do with such frequency.īack to OSO, a tribute to the yesteryears (that part is similar to how Main Hoon Na was done) and an open admiration of SRK, is definitely watchable. Saluja would have been proud to see me putting so many night outs. But this has been the worst possible spell ever of busy-ness. Its just that I have been terribly busy lately. But that does not mean that I haven’t been watching movies lately. Not surprisingly though, to voice my opinion of the haute news in town – Om Shanti Om. It’s a weird feeling to be writing a blog post after so long.